Tag: Office of Arts and Culture

  • Free Culture Access Surges: Boston Family Days Program Triples in Size

     Mayor Michelle Wu announced an expansion of the Boston Family Days program last month that will provide more students and families free entry to multiple cultural venues this fall.

    City officials say the program has grown each year since it was introduced as BPS Sundays in February 2024. That first year, six cultural institutions were open on the first and second Sunday of each month. Today, students and families may visit 23 venues. Last year, 65,000 people were provided free access to cultural events and performances. The Boston Ballet, Boston Symphony Orchestra and Huntington Theatre plan to provide more than 2,500 tickets this fall.

    Sage Morgan-Hubbard, director of learning and management at The Museum of African American History, said the program and experiences have resonated with young people.

    “We’ve had more young people come out, and our Juneteenth was probably our best visitation day,” she said. “We had like 450 people … of all different ages.”

    As one of the smallest museums in the program, Morgan-Hubbard said the additional traffic will advance the organization’s effort to spread a message of empowerment through education. Tours begin at the Abiel Smith School, the nation’s oldest public school to educate African American students exclusively. Among other exhibits, visitors can explore the African Meeting House, where prominent figures such as Frederick Douglass spoke to crowds, and abolitionist and writer William Cooper Nell attended school.

    When the Museum of African American History joined the initiative last year, it incorporated performing arts into its programming. The museum partnered with dance group Jean Appolon Expressions, and the Front Porch Arts Collective – a Black theater group, as well as others.

    “I think there’s nothing more transformative than having live arts because you know all your senses are engaged,” said Morgan-Hubbard. “They’re just much more interesting ways for young people to learn about different topics and be exposed to different art forms than sometimes a regular tour.”

    The Boston Family Days program was originally open only to Boston public school students and their families. Private school students and families are now eligible.

    Bostonians gathered on a recent Saturday at RoboBoston, Mass Robotics’ annual block party, held this year in the Seaport District. The free event showcased robotics from more than 50 institutions and companies throughout the city. While separate from the Boston Family Days program, the event attracted technology enthusiasts, families and students, including Jovie Slagle, a mother from Quincy, who said she was vaguely familiar with the city-sponsored program. But it sounded interesting.

    “I’d like to see some arts too,” said Slagle, who mentioned that disciplines such as math and science are important to childhood education, but creative expression is another powerful way to open their minds.

    The Huntington Theatre is tucked between the neighborhoods of Fenway, Back Bay and the South End. The theater joined the city program as part of the expansion, which staff members say is a continuation of an investment in Boston’s art scene.

    “It was pretty easy … we want in,” said Meg O’Brien, the theater’s director of education.

    Huntington staff members and representatives of other performing arts venues met with city officials last summer. The goal was to integrate theaters into a program originally designed for museums.

    The working group faced challenges. Museums allow visitors entrance at any time, while theaters operate with a fixed number of seats and specific performance schedules.

    A plan to expand the program was unveiled this spring. In May, the Huntington Theatre hosted two family days for “The Light in the Piazza” directed by its Artistic Director Loretta Greco. The events fueled optimism for the fall, according to O’Brien.

    To accommodate theaters, the city will release a rolling schedule of upcoming performances instead of set times throughout the fall. That way, families can decide when they are free rather than schedule an event in advance. “The goal is to make it feel as inviting and as welcoming as possible so that they actually do come out and spend the time with us,” O’Brien said.

    The city will continue the program through June 2026, according to a press release from the mayor’s office.

    “I would want to see more programming at the institutions themselves,” said Sam Fidler, director of administration and finance in the mayor’s Office of Arts and Culture. “I think that is something also that we’re in the process of working on.”

  • Alchemy Station Launched at Western Avenue’s Allston Labworks

    Alchemy Station, a consulting firm and art studio that supports local artists to realize this dream in the Allston community, launched their Allston location earlier this year at the Allston Labworks (280 Western Ave).

    The duo Kate Anderson and Suzi Hlavacek of Alchemy Station works with artists to create spaces that are grounded in the context of the community. “When we work with our clients, we really want to get a sense of […] goals for their space,” said Anderson. “So, for example […] it could be a hotel, and it’s in a historic building, and they […] want to tell the story of the history of the neighborhood.” 

    Anderson and Hlavacek founded Alchemy Station in 2022. Prior to that, Anderson had been a member of the Entrepreneurs Organization where she learned the skills she needed to run a business from human resources to contracting. However, Anderson credited a book called Start with Why by Simon Sinek as a motivating factor toward launching her own company.  

    “People don’t buy what you do; they buy why you do it,” she said. “A lot of people don’t even know why they do what they do.” That philosophy carries over to the ethic Anderson and Hlavacek established with their artists.

    They enlisted the help of Miki Diminico, managing director of King Street Properties, to help them find a studio large enough to function as a collective for early-career artists. 

    Alchemy Station offers more than space. Anderson and Hlavacek work closely with artists throughout the creative process, as well as with practical issues, such as helping them find studio space or referring clients to reasonably priced framing businesses.

    Stephen Hamilton, of Roxbury, Mass., is one of Alchemy Station’s residential studio artists. His work centers around African art practices of sculpting, weaving and dying and mixed media. His pieces often require space, and Anderson and Hlavacek were willing to accommodate him.

     “I am one of the artists who participated in the Boston Public Art Triennial,” said Hamilton. “Through [Alchemy Station], I was able to get the space that I needed to work on […] the project.”

    Four years after they opened, Alchemy Station have been attempting to engage the Allston community by recruiting upcoming artists through organizations such as the Harvard Ed Portal and the Artisan’s Asylum.

    King Street Properties facilitated Alchemy Station’s expansion by working with the city’s Office of Arts and Culture, where they have received feedback on potential expansion and targeted marketing.

    The artists themselves engage with the Allston community as well. “Part of my work as an educator has been developing programming workshops for Black and brown communities in Boston centered around themes that are important in my practice as an artist,” said Hamilton. 

    As the enterprise continues, Anderson and Hlavacek hope to inspire artists to see themselves beyond their role, applying their skills as storytellers, teachers and entrepreneurs.